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Good Questions Can Help

Deanna Hershiser

Another suggestion or two for the newbie Bible reader.

The Trouble With Texts

It’s pretty neat that Blog Manager Travis Griffith is taking on reading the whole Bible. His eye-opening experience has left him feeling “punched in the face with these taboo topics and left wondering if folks just choose not to discuss this stuff in polite company…”

Perhaps I’m not the only Relief fan uttering a small chuckle. Welcome, Travis, to the foundational Christian writings.

The Bible is difficult. Though many consider it fairy tales for children, others find upon closer inspection a not-ready-for-prime-time experience. But read any ancient tome, from Cicero to Chaucer, and you’ll discover a lot we no longer bring up at dinner.

As Christians today, the reason for our indigestion over the Bible isn’t usually the racy content, or so I’ve found. What we shy away from is a truck load of different teachings about why the Bible includes what it does. Thousands of years after Genesis’ papyrus dried, we don’t remember what issues were being addressed or who the author was speaking to. When it comes to glimpses into the world of Moses (the probable Genesis author), most of us have no clue.

It’s as if my grandma came back to life and tried to decipher a text message from my son’s girlfriend’s phone, but everyone younger than Grandma had died, leaving no one to interpret for her. There wouldn’t be much way to understand the real gist of the thing.

I guess to take my analogy further, you could picture Grandma surrounded by people from her time — each of them with their own guesses as to the meanings of “lol,” “jk,” and “ftw.” Each would guess according to his own assumptions about context and other factors. Someone might insist this wasn’t language at all, that it was gibberish or that Grandma made up the idea that people had developed a new code for electric gizmos.

Reading the Bible, we rely on interpretations of ancient Hebrew and Greek by people with their own assumptions. Then we read the English wording according to individual perspectives. Some of us have been served portions or the whole from childhood. Someone like Travis Griffith has only heard of the Bible but has never before tasted it for himself. There are dozens of ways, at least, to begin thinking about the message between the biblical covers, and how are we really to know which one is close to the truth?

The Quality of Questions

Before despairing totally over this situation, I came to see there is hope for an understanding-related reading of the Bible. After all, people translate and read other ancient books with a fair amount of confidence. We don’t chuck everything written before the 20th century; there are proven ways to get at ancient meanings. And, yes, I’m one of those who believes the Bible is the unique book in history — the one God inspired (however that happened). But I think it was written by regular authors for regular readers. There’s more work involved in getting at original intent than I might put into reading a text message (though I’m not too good at those). But it’s a worthwhile task.

I encourage Travis and anyone looking into the Bible from new or old assumptions to start by asking good questions about the text. This idea I find explored exceptionally well by a teacher from Gutenberg College, a great books school in my town. In 2000, David Crabtree taught a recorded series on Genesis in which he proposed studying the Bible’s first book in order to begin discovering answers to basic biblical, faith-related, questions.

Dr. Crabtree’s key question for Genesis, and for the Bible is, “Why?” This gets filled out regarding God as, “What kind of being is the Creator? Who is God? What is his nature?” And regarding us: “Why did God create man? What is our purpose? Why do we exist? And what provision did the Creator make for mankind?”

These sorts of questions get at the heart of a valuable Bible read-through. They acknowledge that assumptions exist and that it’s valid to work at getting past my own. They’re close to the core of a soul seeking spiritual truth.

David Crabtree’s complete audio series on Genesis is free and available from this Gutenberg link (it lists sessions in reverse order) and at iTunesU.

Deanna Hershiser’s essays have appeared in Runner’s World, BackHome Magazine, Relief, and other places. She lives with her husband in Oregon and blogs at deannahershiser.com

Capturing the Journey Different Ways

Deanna Hershiser

After my post last month about journaling and blogging, I thought some further discussion might be helpful. There’s nothing like an eventful, thought-provoking few weeks to remind me how different chronicling life can look for myself from season to season, let alone for others.

I recall seeing pictures on a friend’s blog of her journals, the pages resplendent with doodles, swatches, poetry. This activity can have so many variations. My one-page entry style is rather bland in comparison to many.

But it works for me. Lately I’ve found myself, almost all of a sudden, on a journey with Eastern Orthodoxy. My journal, writing notebook, and blog have all been called into service as I process what’s happening in my heart.

Being my “published” venue, the blog lags in time compared to reality. In a post I try to put things together, condensing and shaping even though it’s still a rough form. For instance, the day I decided I really needed to consider joining the Orthodox church my husband goes to, I notebooked and then journaled many details that will never see the light of blog. Yet after I had gained a little distance, the explanation I gave on my site felt more satisfactory, more ready for a larger audience of family and friends. And the comments I received seemed to confirm that my quick work to edit and polish helped strike a genuine chord.

At some point I may produce an essay about this time in my spiritual life. That effort, however, will require much more real work and the openness to art, to contradiction. I hope I will give my experience the fuller attention it might deserve.

I would love to hear accounts of others’ journaling styles. Do you jot on napkins? Use your camera to capture meaningful moments? What form does your activity take as you process your significant turns and twists along life’s road?

Deanna Hershiser’s essays have appeared in Runner’s World, BackHome Magazine, Relief, and other places. She lives with her husband in Oregon and blogs at deannahershiser.com

Backwards Blogging

Deanna Hershiser

Pondering some realities of journal and blog.

Recently I read through my physical journals. Again. Every year or so I get the urge, and usually I begin with the first journal I started since I haven’t stopped. My initial post was on March 3, 1989. A Friday afternoon. We rented a house in the countryside, where log trucks woke us mornings and deer spied us from the lawn after dinner. My daughter was three, and my son wasn’t quite yet conceived.

Nowadays it takes two or three weeks to finish my journals from ’89 to the present. I tend to journal about reading them along the way. Always new insights shine from the book(s) about my years raising children (and a dog, cats, rats, snakes, and mice, plus one mallard duck). I wrote discouragement and joy. I penned creative ditties. I jotted a gazillion ideas, a few of which became published articles and essays.

Sometimes reading through I’m impatient with my entries on writing. Blah, blah, blah, waiting for an editor, blah, blah, this title’s a winner!, blah, that rejection hurt, blah, I never expected such a nice response…

Other times I truly relish recalling the writerly process. I think it reflects the rest of my life journey well. Always the unexpected. New turns. Wow, I’ve really been through all that and lived to tell it.

I keep my journals in a metal file cabinet, and I imagine people reading them when I’m gone. In fact, I write with that in mind and don’t share just everything (a girl’s got to have some secrets). Rarely do I scratch things out. My basic post is one side of one page, and they aren’t super regular. Consistently, though, they’re there year to year.

After I started blogging nearly five years ago, my journal entries became fewer. Still, there have been weeks and months of needing only the grittier tools of expression: pen, ink, and welcoming blank pages.

I’ve enjoyed the similar yet different sensation of blogging, but I don’t know how long I’ll keep up my individual blog. With vague structure to my system, I find the best part of the experience reading other “journals” on the web when mine’s in play. Many good words are out there.

What bugs me about blogging is the nature of review. Blogs were made to be current, newsy. Their top-down, last-first nature makes it difficult to read somebody’s story from beginning to now. This may not bother anyone younger than 40. And I’m all for getting a sense of today’s happenings. But I don’t and won’t own an I-Phone. I live without a laptop, even. Instead I stick with my journal and my even more portable Moleskine. I carry books. Blogs could give me that booky connection to other author-type people, if they were accessible from first post to last without archive manipulation. (Maybe there’s an easy way to read a blog consecutively that I don’t know of…? Would love to hear it.)

You’re likely thinking, old woman, don’t fret over the way things have become. We read the immediate, we update each other’s thoughts all day, and what’s wrong with that?

You’re right, I’m sure. It’s a preference. After all, in his day Plato complained about the new technology involving writing things down, because it would take away the experience of remembering long passages. It would make our brains lazy.

I consider, however, taking my lazy brain off the Internet, though I like the other minds I connect with. I just want to read stories from the beginning. I’d like the chance to see where some bloggers were years ago, follow the flow of their journey, and see the contrast with who they’re becoming, to review and reflect on collections of the other me’s I’m reading.

Deanna Hershiser’s essays have appeared in Runner’s World, BackHome Magazine, Relief, and other places. She lives with her husband in Oregon and blogs at deannahershiser.com.

Bobbing a Bit

Deanna Hershiser

It’s a question of responsibility.

My employers recently held a training day for our nonprofit group’s volunteers and staff, during which we reviewed the right attitudes to strive for with clients. One of our manual’s pages reminded me there’s a difference between feeling responsible to someone and thinking I’m responsible for someone.

The first is possible and desirable, the second, not so much. Obviously, another adult has charge of her own decisions. I can choose to be there to listen, to empathize, to suggest options. But I must release the other person’s outcome to be what they make it, or, if you will, what God makes it in their reality.

I’ve been considering this responsibility concept in other areas. One that strikes me is my writing. Here’s a good question, I hope: How can I best be responsible to my gift as opposed to laboring under the delusion I’m solely responsible for my gift?

Writing, as we know, treats the humans involved in fickle ways. There can be wonderful, short-lived moments of recognition. I love a sentence from an essay by Poe Ballantine. He describes receiving notice that something he wrote was selected for Best American Short Stories. He hadn’t been sure his writing was going anywhere special. “But,” he says, “I figured that much of what happens in the literary world is a lottery, and I had been plugging away for a while, so maybe it was time for my head to bob to the surface of the sea of drowning writers, if only for a few minutes.” **

Ballantine’s quip makes me smile and sigh. On the one hand, I’m glad I’m not the only one “drowning” a lot of the time. A little voice in my head will often lament that if I’d only do more of this or that, my work would become…something. Recognized by more people. Helpful in more “real” places. Better than I’ve imagined it could be. So it’s good to hear that even if the voice is wrong and I’m doing everything I can, I don’t have control over the realities of 21st century writing.

On the other side of my brain, I’ve pondered Ballantine and nibbled my nails over whether or not to quit. Just quit. Shouldn’t I be responsible for my work with words and discern when it’s not going anywhere? Soon I may find I have plugged away at this stuff till life is next to over.

But there’s always been this ancestor on my dad’s side. His journals were found, long after he died. In the 1800s he pioneered with his family across the midwest. With pen he scratched beauty onto rough pages, sharing wonder at rock formations and the hue of prairie sky. He enjoyed his gift of writing and didn’t worry what ultimately happened with it. Unless he lay awake by dying campfires, chewing his nails in his bedroll. If so he didn’t say.

My point is I continue to be given a view of my lack of control over outcomes. And yet I decide again I will keep writing, taking steps each day on the journey. Being responsible to it. I may not get to choose which generation of readers ultimately finds and enjoys my words. I’m not in bad company. And the reality taking shape may contain a surprise or two more for this little head bobbing in the sea.

** (Ballantine’s full essay, Blessed Meadows For Minor Poets, is part of his collection, 501 Minutes to Christ.)

Deanna Hershiser’s essays have appeared in Runner’s World, BackHome Magazine, Relief, and other places. She lives with her husband in Oregon and blogs at deannahershiser.com/stories-glimmer.

Personal Note

Deanna Hershiser

A few thoughts on writing very personal essays.

My own view is that, if anything, what is wrong with most memoirs and autobiographical poems is that they don’t go far enough in their confessions; they myopically fudge the details, the close nitty-gritty of self-observation.
~ Phillip Lopate, Getting Personal

My essay “Memorial Day” first appeared in Relief Issue 2.3. Recently it was reprinted in the anthology Saying Goodbye, released by Dream of Things. It’s a story that no doubt has confused some people — the writing is likely fine, having been edited capably by Lisa Ohlen Harris, but I tend to get a certain reaction. “You are so brave,” I will hear. Which translates in my mind to the unasked, “Why put this out there?” Or something closer to, “Could I, should I, share my greatest failures with the world?”

“Memorial Day” contains my tale of hurting my husband, Tim, in the worst way more than 25 years ago. The story of our near divorce is woven within a weekend of remembering in 2006, when Tim and I returned to the coastal town where our disaster had happened.

For better or worse I’m someone who tells these certain things — not all of my life’s private details, not even very many — but the intense bits I believe I have learned from. Usually in person it’s after I’ve known you a while. Doing so in writing is a long process; often it feels like bushwhacking a rough trail between my emotion-filled memories and the sense and sensibilities of readers’ minds. As creative nonfiction expert Dinty W. Moore says in his book Crafting the Personal Essay, “The private essay hides the author. The personal essay reveals.” I don’t wish to blather about private issues no one can relate to. Rather, I want to reveal something of the deepest truths that have invaded my being.

The eyes of the me telling my “Memorial” story now view life with a spiritual appreciation that the early-1980s me could only spot as a glimmer. Part of my continuing closure became releasing the setting of my great drama, letting it sink, so to speak, into the ocean. But there’s also a part of my ongoing way of life bound up in lessons from this past event. I’m a person of faith. For me that has come to mean putting together all the evidence I can regarding truth and seeing what it adds up to. Before I royally blew it that time in my twenties, I didn’t understand what mercy might look like. While I could see others’ need for forgiveness, I couldn’t grasp my deficit. I was basically good; I made mistakes. But bring push to shove, and, hey, sure — it’s me, remember? — I always chose the right path, the godly way. Until, of course, I didn’t. Excuses no longer held up in my own mind for my actions. I reached a clear fork in the road and to go forward with belief meant accepting that I needed something more.

Would I recommend this form of writing for very many? Not really. I should likely say run from the awkwardness. Turn to fiction; find some creative alternative. It’s certainly not a mandate for Christians. The style of “confessional” writing I’m striving to do isn’t bound to particular theological perspectives. Though it tends to be about finding wisdom and truth, its focus is individual, existential.

If you can go there, and if you have to, then read and write the very personal. You may find yourself involved in what the amazing nonfictionist Phillip Lopate speaks of when he says, “I am endlessly interested in the wormy thoughts and regrets and excuses and explanations that people have for their behavior. ‘Confessional’ is, to me, a descriptive term, not a derogatory one….Honesty has been, for me, the one lodestar to which I never stop aspiring in print. I don’t say I attain ‘honesty,’ but the very fact that I try to reach it gives my work, at least to my own eyes, a formal thrust, a dynamic, a topography.”

Deanna Hershiser’s essays have appeared in Runner’s World, BackHome Magazine, Relief, and other places. She lives with her husband in Oregon and blogs at deannahershiser.com/stories-glimmer.

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