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Donald Miller is NOT Allowed to Get Engaged!

Stephen Swanson

Stephen Swanson grapples with the fundamental life changes of those he respects from the natural and most meaningful perspective…how they affect him.

Yes, the title of this post is hyperbole.  I enjoy marriage and recommend it to people who are prepared for the sacrifice, communication, and compromise that come with it.  However, I have to admit that I was surprised when Donald Miller announced last Saturday via Twitter that he was engaged.

I do not know Mr. Miller.  I’ve read a couple of his books, Blue Like Jazz and Father Fiction, follow him on Twitter, and have his blog on my Google Reader, but his announcement and some of the responses I saw made me think.

Donald Miller has 69,000+ followers on Twitter and 52,000+ “likers” on Facebook who all have some interest in his highly-personal writings about his relationship to his faith.  For good reason, Miller, in a time of increased tension between fundamentalism and progressiveness, holds the tensions with admirable and articulate strength.  However, the position from which he holds and views these tensions will change as he changes.

One commenter on his Facebook page posed the quandry best, “And so it happens…my boy, Donald Miller is engaged. heard it via twitter. I wonder if his books will not be as good anymore, cuz he will be preoccupied or if they will be better?”  In other words, will we lose “our” Donald Miller?

“I wonder if his books will not be as good anymore, cuz he will be preoccupied,” indicates that Miller spoke to and for the benefit of emergent/hipster/sojourner/thinker/seekers who grappled with singleness and faith in a very complex and shifting world.  He seemed to speak for a faith life for the individual in community.  While not “monastic”, Miller had a voice that spoke of possibilities of friendship and discourse outside of a romantic relationship. His writing is “good” because of his ability give voice to this.

The other half of the Facebook comment indicates that there is another potentiality, “or if they will be better?” The brevity of this thought in the comment makes one wonder how much the writer thought of it.

As I have been thinking about Miller and Travis’ reading through the Bible, I realize that this tension strikes deep into the heart of debates on faith and marriage.  The relationship between individuals, their families, and God seem to create tensions back to the beginning of Genesis. Does Adam choose to retain connection with his wife, who has disobeyed God, or does he retain his promise and relationship to God? Does Abraham kill his Isaac in sacrifice to God who promised him to you, or do you disobey God?

Lot and his wife, David and Bathsheba, Samson and Delilah, Solomon and (insert woman here) all seem to add to this theme, but it is Paul’s first letter to the Corinthians that writes, “I wish that all of you were as I am,” that is single and also, “Now to the unmarried and the widows I say: It is good for them to stay unmarried, as I do.”

Regardless of the debates about the passage’s context, Paul argues a tension between ability to serve God (his ideal) and some lesser state of marriage.

WTF, Paul!  What is marriage?  Is it a gift from God or just a sexual release valve for those who are too hot to trot?  Is Donald Miller giving up his calling for a warm snuggle with a different kind of Jazz groupie, or is he deepening the relationship of faith? Is it actually REALLY unfair of me to put pressure on a man that I don’t know to represent an entire aspect of faith for the rest of his life?  Is it REALLY any of my business? Would it EVER be possible that a single person who was good at thinking and writing could EVER think and write AND be married? Why must that be a question of right or wrong?

A third option, change, represents the more logical and useful of the choices than a “better/worse” dichotomy.  It makes sense that perspectives will shift when Miller moves to sharing his life in partnership with one other person in a commitment for life.  In fact, it seems that scripture is pretty consistent about relationships changing things.

Even Paul admits it in 1 Corinthians 7 when he gives some directions claiming to speak for God and some that just represents his perspective.  Change happens. People are different.  Situations change and are different.  These might mean that for different people that different things present better choices than for other people, but then that represents a VERY uncomfortable place of uncertainty…a real tension.

Now if we only knew a writer who was good at thinking and writing about tensions in faith and who had been thinking about such things both before AND after being married…hmmm…Anyone?

To Travis…About the Bible

Stephen Swanson

Stephen Swanson dispenses kindly advice to Travis to be helpful and avoid the many, many frustrating things in the world today.

So, yeah, there’s lots of fun and important things that I could write about: OBL, fake quotes from MLK, end of term, a new son, looking at houses, motorcycles….  Oh, I could go on and on, but I’ve really been wanting to do something helpful.

I was very thankful for Travis’ post last week that gave me a chance to chime in, and rather than just post a comment, I’m choosing to use a column on it.

He’s already had some great advice on translations/versions, programs, skipping Leviticus, and other reading tips and hints.  With all the suggestions, I can’t but help to feel like it’s some sort of Nintendo Power walkthrough.  You know,  “The Bible…the Original Video Game”, and Travis is trying to go through Zelda in less than 30 minutes.

I must first disclose that I have never read the Bible cover-to-cover.  I’ve tried a couple of times, but there’s just too many things against it as a practice. My problem wasn’t Leviticus or Numbers; they had some cool stuff. It was the minor prophets. “Alright!  We get it!  Bad will be punished…we hope and pray.  Good will be rewarded…we hope and pray.   Yes, yes, G-d IS powerful and amazing.”

Yes, there are all sorts of things that will come up.

  • There is the frustration with the minute subdivisions of paragraphs and sentences into chapter and verse when the prose just does not support that segmentation.
  • There’s interminable poetry (LotR’s strategy=skip poetry, not necessarily with the Bible), history, law, and prophecy.
  • There’s a whole mess of some dude’s letters that have, for some reason, been shoved between an early history of the Church and a final book of prophecy (You know, just for good measure).
  • There’s the past 2000 years of use and abuse of the documents in this volume for both great good and great evil.
  • There’s the present association of the Bible with conservatism, fundamentalism, and evangelicalism.

However, if one looks at it as a wonderful archive, then things potentially begin to change.

  • Each book holds a glimpse into generations and generations of real people who struggled to find, understand, and live out some relationship to the infinite.
  • Each of  these glimpses comes with loads of historical context where we can really begin to see complex relationships.
  • Each one presents an experience into the core questions of humanity as an individual, a community, and a society.
  • Each of the books tries to engage in a very real and meaningful way with the questions raised by existence and yet tell gritty stories about hard lives in hard times

It grows easier and easier to equate The Bible with religion.  However, I’d argue that The Bible =/= religion, even though the Reformation used the book as a conduit between the person of faith and their God through their ability, right, and responsibility to read and understand it. I understand that this has morphed into a fascination for those who believe in strict inerrancy and infallibility of The Bible as the Word of God.  I’m not one of them, but I respect that as a position with a lot of power in the world today.

However, regardless of the objective truth of the words, the narratives and arcs that it contains describe the relationship between people and a view of the Divine at the very least.

Many people, therefore, emphasize the epic qualities of The Bible.  After all, it’s about “GOD”, right?  It’s got to be SERIOUS and star Charlton Heston.  The must be heavy, serious music.  It must be in Panavision.  The emphasis has been on the weight and grandeur of a narrative about God and man.

Something about this, though, strikes me as idolatry.  Not in the normal sense, but it’s almost like Christians are still competing with the Greeks and Romans to show that their religion is as cool,

“Hey, look!  We’ve got cool stories too!”

“Do you have a god in the form of a bull raping a woman?”

“No…”

“Well, do you at least have Morgan Freeman?”

“<…>”

“Then I’m not sure how you can call it a religion.”

I like to imagine The Bible more like if it was made by HBO or Showtime…maybe AMC, but only if John Hamm and Christina Hendricks were in it.  Imagine if David Simon wrote and directed, maybe with some help from Richard Price.

Connections abound between The Wire, Rome, and The Bible. Family struggles, sex, violence, political intrigue, captivity, and exotic locales abound, but those are points for another day.

Forget the theology for a bit and get to know the people and peoples behind The Bible.  Treat it like The Bible, maybe even the bible.  Think about their lives, thoughts, hopes, fears, and dreams.  Midrash in your mind as you go, and don’t be afraid to jump around.

As the Israelites are exiled, jump forward to their prophets who wrote in that time, and then jump back.  As David flees and starts a revolution, read the songs that he composed, perhaps at night.

Works in translation are always hard to really get and feel.  Additionally, the vast majority of The Bible lacks the punch and flow of Elmore Leonard.  However, the people and drama are there.

It’s just a matter of letting the other things go, at least for a while.

Stephen Swanson teaches as an assistant professor of English at McLennan Community College. Aside from guiding students through the pitfalls of college writing and literature, he spends most of his time trying to remain aware of popular culture, cooking, and enjoying time with his wife and son. He holds degrees in Communications (Calvin College), Film Studies (Central Michigan University), and Media and American Culture Studies (Bowling Green State University). In addition to editing a collection, Battleground States: Scholarship in Contemporary America, he has forthcoming projects on Johnny Cash and analysis of vampires and gods in terms of hospitality.

An..ti.ci.paation!

Stephen Swanson

Stephen Swanson delves into the vital quandry of enjoying and hating “anticipation” for its own sake.

In the past few weeks, I’ve found that the music of Sharon Jones & the Dap Kings particularly inspiring.  It’s not just their blend of classical soul and a contemporary mentality.  Nor does the music just grab at my heart and begin to bounce it in the most pleasant way.  Nor, yet, does it merely provide a hopeful outlook while grading student essays that might be less than impressive in their appearance of dedication.

It calls to me to get ready.

“Getting ready” presents a very real meaning for me these days as we expect our second child at any hour, day, or week.  It’s not just the excitement and worry of how a second child will affect our lives and the thrill to meet this new person who will come into our family and change who we are.  Something bigger and smaller at the same time lodges in my heart.

In the beginning of the the title track of 2007′s 100 Days, 100 Nights, the horns/saxophones begin by quietly spiraling down in the right channel, pause, the drums tap off four times in the left channel, and Jones’ powerful voice comes in, “100 Days…100 Nights…to know a man’s heart,” in both ears.

Not only does the stripped down production work to recall a 50s/60s feel, it also brings to the fore the absences of the other voices.  This awareness of the missing sounds and pauses heighten and balance the parts where the sound is filled with lead vocals, backing, bass, drums, guitars, and horns, forcing the listener to appreciate both the presence and absences even more.

I want to balance this with the ending track of the album, “Answer Me”, particularly the version that the Dap Kings released that shows a bit of the recording process. This version amplifies this anticipation because it not only uses Jones’ sparse piano intro, but it takes a number of starts to get it right before breaking into the song itself.  The listener/viewer keeps waiting for the song to get grooving, but not quite yet.

When it finally, breaks into the chorus, the words and music combine to give the lyrics some significance that cut to the heart of the meaning and importance of anticipation:

Answer me, sweet Jesus

Won’t you hear me calling

I need you, Lord

Answer me, sweet Jesus

Don’t you hear me calling

I need you, Lord

The repetition and subtle differences calls for the listener to pay closer attention but to also join in in spite of those differences. The lyrics and music combine both a familiarity and a new-ness that strengthens the associations between singer and listener.  So that when we reach the verse,

Lord, I’ve run out of words to sing

All I can do is moan

I cannot pray, like all of a sudden

But let me know my prayer’s being heard

whether we are religious, spiritual, or not, we have a bond at least with the singer.  There’s an association implied by anticipation…a requirement of a relationship of some sort, and we want that fullfillment.

However, we are stuck in the now…the not yet.

Still, as frustrating as this seems, a meaningful expression comes out, and it’s expression does not consist of just one, lone voice.  Jones continues singing as she’s joined not only by the band but also with a chorus of background singers as they all call out for the thing that is not yet.

She (They) conclude on a definitive:

I’m gonna wait right here for ya.

It’s hard to wait.  Patience is hard, especially when so much can be at stake, but I find that Sharon Jones & the Dap Kings not only join me in the release of those emotions but that they also exemplify the nature of humanity’s struggle for meaning and value in the process, the tensions between the strange and the familiar, the solo and collective, and the terrestrial and supernatural.

I <3 them and hope that you will too.

Stephen Swanson teaches as an assistant professor of English at McLennan Community College. Aside from guiding students through the pitfalls of college writing and literature, he spends most of his time trying to remain aware of popular culture, cooking, and enjoying time with his wife and son. He holds degrees in Communications (Calvin College), Film Studies (Central Michigan University), and Media and American Culture Studies (Bowling Green State University). In addition to editing a collection, Battleground States: Scholarship in Contemporary America, he has forthcoming projects on Johnny Cash and analysis of vampires and gods in terms of hospitality.

Women Who I Love

Stephen Swanson

Stephen Swanson finally admits to loving women.  Surprise!

With this being near V-Day and the midst of the “Love Relief” campaign, I felt the need to write about something more pleasant than my anger with legislatures, both state and federal, or what’s happening on the Bachelor.

I need to think positive, and you should too. Therefore, I want to write about my love for women. No, not THAT kind of love. Sure, I could talk about my wife or mom. I could write about my sisters. I could write about the wonderful, strong, and intelligent women who are my colleagues, both online and IRL.

However, there’s a group of women that I respect more than any other at the moment: my students.

This is not to say that I do not have wonderful male students, friends, and colleagues. I do. They’re great!

But, unfortunately for them this semester, I have some women in my classes that are not only dedicated, sharp students who make teaching fun and interesting on a daily basis but who have also overcome considerable obstacles to be there.

Take, for example, on of the students in my afternoon class. She is what we would call a non-traditional student, meaning that she is not 18-23, and I had the pleasure of teaching her in the prerequisite course. At the beginning of that term that I first had her, she struggled with everything. Not only was she frustrated with her own lack of experience with computers and word processors, she had a strong sense of self-criticism, that she just wasn’t a very good writer.

This week, she not only led a discussion on her own but also takes time before class to help other students get their work formatted on the computer. She, like the rest of us, still struggles with self-doubt, but she does not let it stop her cold like it had.

I have a whole set of women with whom it is my pleasure to work as part of the dual-credit program which teaches high school students so that they get both high school and college credit for their work. They are not only smart, funny, and hardworking, but they have begun to take pride in the very value of intellectual pursuit in an environment where little value is placed, especially within their gender sub-culture, on thinking and consideration.

Now, I can only take a very small part of the credit for their evolution as students, but I can own the pride and affection that I have in them and a society where they can be what they are and become even better.

Therefore, in a new spirit of “Valentines”, I urge you all to express your pride, encouragement, and…yes, love, to one another, as least for a few days in February.  We all need it.

Stephen Swanson teaches as an assistant professor of English at McLennan Community College. Aside from guiding students through the pitfalls of college writing and literature, he spends most of his time trying to remain aware of popular culture, cooking, and enjoying time with his wife and son. He holds degrees in Communications (Calvin College), Film Studies (Central Michigan University), and Media and American Culture Studies (Bowling Green State University). In addition to editing a collection, Battleground States: Scholarship in Contemporary America, he has forthcoming projects on Johnny Cash and approaches to analyzing detective narratives in terms of ethical responsibility.

Hope Springs Eternal (from the Superficial)

Stephen Swanson

Stephen Swanson relishes this time of year: a time of awards, good intentions, and hope.  He believes that shows, like the Golden Globes, the Miss America Pageant, and the Bachelor not only fill our time but also our lives.

Amid controversy about Ricky Gervais’ hosting of The Golden Globes, the possibly worst set of “talents” ever displayed on the Miss America Pageant, resulting in the crowning of the youngest Miss America ever, and perhaps the dumbest Bachelor ever (or are they the dumbest Bachelorettes?), it would be easy to give up on things.

If I add to this the new book out showing that I might be devoting my life to a complete waste of time, as students learn mostly nothing at college, then it might be even easier to just say…pooh!

But I can’t.  I just can’t.  I know that this season of American Idol will be a complete debacle without anyone Simon-ish to reign in the Hollywood dream factory, but I want to watch the train steadily ignoring the “Bridge Out Ahead” signage.

What’s my secret?  Well, there are a couple of things.  First, there is a hope built into this sort of cycle.  There is a realization that sometimes things can surprise you.  Steven Tyler might come out tonight and tell contestants to stop dreaming and grow up.  I doubt it, but it’d be cool if he did.

The hope comes from two main sources.  First, hope comes from the succession of exciting things coming up.  We’ve got the playoffs in the NFL, Valentines, the Oscars, March Madness, Easter, opening day of baseball, mid-terms, and a new dedication to trying to at least work out twice a week.

There is not time to give up.  One can shift from hope to hope like when video gamers desperately lean to try to get Mario over the gap that he jumped just a pixel or two too early.  We can lean a long way before we collapse around July.  We can keep moving forward in an effort to maintain momentum.  And, sometimes it works!

Secondly, and perhaps more powerfully in the long-term, there is the comraderie of watching the oncoming, impending doom.  You can turn to the person beside you and give a look that says, “This is REALLY happening!”  The look also says, “Thank goodness we’re not on that train.”  And, for a second before the horror hits, we find comfort together.

I do not, obviously, mean to imply that Miss America or The Bachelor is like a train going off a cliff.  It’s nothing like that at all, but it takes so much more time to explain to students and people around you about what’s going on in Haiti or Tunisia than why Brad does not deserve to “win” anyone, even these women who’ve asked for it.  It’s so much easier to give the context of Hollywood wheeling and dealing around the yearly awards than to discuss the federal budget, healthcare, or education.

Therefore, I take momentary hope and relief from the grind towards the lowest common denominators of disorganization, incivility, and violence to just complain about the sparkly, red rose on Natalie Portman’s dress and gossip about how it could be that we didn’t know she was pregnant. It’s just easier to keep with the flow and to hit only the most recent and superficial of information, to go with the “gut”.  The brain and logic only get in the way of fun and living.

Stephen Swanson teaches as an assistant professor of English at McLennan Community College. Aside from guiding students through the pitfalls of college writing and literature, he spends most of his time trying to remain  aware of popular culture, cooking, and enjoying time with his wife and son. He holds degrees in Communications (Calvin College), Film Studies (Central Michigan University), and Media and American Culture Studies (Bowling Green State University. In addition to editing a collection, Battleground States: Scholarship in Contemporary America, he has forthcoming projects on Johnny Cash and approaches to analyzing detective narratives in terms of ethical responsibility.


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