Here at Relief, we are ever thankful for the art-and-faith community that sustains us: that large but loosely affiliated group of people around the world who value excellence in writing and the arts, and who also are followers of Christ. This is our tribe, and together we’re shaping the landscapes of literature and belief.
On August 30, Kanye West won an award for being a brilliant artist of some sort. During his acceptance speech he claimed that awards shows were ridiculous, called himself an artist’s messiah, confessed to smoking pot, and announced that he would be running for president. A year ago, maybe even a month ago, I might have sighed and muttered, “Oh, Kanye,” but this time, with the nagging realization that I probably have more deadlines than talent, all I could do was think about how I will never be able to write like that and have people support it. Everything felt so meaningless.
In James Lord’s A Giacometti Portrait, Alberto Giacometti often refers to Cézanne out of reverence for his work and competence. At one point, Giacometti says, “Cézanne discovered that it’s impossible to study nature. You can’t do it. But one must try all the same, try—like Cézanne—to translate one’s sensation.”
This blog is late. I don’t mean a couple days after deadline. No, I mean it’s-been-months-and-I-still-haven’t-found-a-topic-to-write-about late. I have so many emails sitting in my inbox kindly, and more recently, desperately, asking me if I have a blog written yet. And would I please, please, please write something?
My grandfather was a builder. Self taught, he came home after a grim year in a WWII German prison camp, took a few architecture classes on the G.I. bill, and began building houses that still stand all over Winn parish. He could make anything out of nothing in particular, and as a child of the Great Depression, he had grown up tough, gruff, and unbelievably resourceful.