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Get Your Diner and Anthologies Here! PDF Print E-mail
Written by Coach Culbertson   
Saturday, 11 October 2008
 

Coach's Midnight Diner: The Jesus Vs. Cthulhu Edition

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The Best of Relief Volume 1

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Midnight Diner: The Jesus Vs. Cthulhu Edition!

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Get Your Current Single Issues Here! PDF Print E-mail
Written by Coach Culbertson   
Saturday, 11 October 2008


 

Issue 2.4 | Relief: A Quarterly Christian Expression

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Issue 2.3 | Relief: A Quarterly Christian Expression

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Issue 2.2 | Relief: A Quarterly Christian Expression

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Get Your Subscriptions Here! PDF Print E-mail
Written by Coach Culbertson   
Saturday, 11 October 2008
 
 
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Falling into Stories, Part II PDF Print E-mail
Written by Stacy Barton   
Friday, 10 October 2008

ImageThe Top Ten Reasons Why We Love The Short Story

Number 10. Story

Certainly short stories do not have exclusive rights to the magic of Story. Movies, novels, plays, and picture books use Story too – as does the world of art, dance and music. Ever listen to a country song? It’s all about Story. But in a Top Ten List Of Why We Love Short Stories I would be remiss if I didn’t say that first and foremost, what we love about the short story is that it is the golden nugget of Story.

9. Journey

What is the chief end of the short story? To take us on a journey and return us home before supper. All story forms take the reader for a ride, but only in the journey of something as brief as the short story can you recall the beginning, middle and end of the experience with equal delight.

8. Drama

If done well, the brevity of the journey naturally begets higher drama. And as drama is at the heart of all good stories, short stories are rife with it. It should be remembered here, that high drama is not always synonymous with fast action; there are slower stories so packed with drama that you hold your breath as tightly as you hold the page.

7. Twists

Closely related to the drama of the short story is the closing twist, typical of this length. The payoff in a longer genre usually comes with a certain amount of expectation, but in a short story, especially a short short story, the twist at the end is often the very thing we await.

6. Symbolism

Symbolism is another quality of fiction not exclusive to short stories. But again, because of the compact nature of this genre, the symbolism is often more tangible. It is not uncommon to linger over the symbolism in a short story long after the final word is read.

5. Intensity

The absolute intensity of this genre is one of my favorite characteristics. With great anticipation we settle in like a fanatic – short story in hand – eager to begin the raucous ride we know will follow.

4. Language

Perhaps my favorite truth about short stories is that its language is unsurpassed in the world of Story. With a poet’s tongue and a playwright’s passion, the language in a short story delights us in a way that no other genre can.

3. Rhythm

Akin to the poetic precision of the language in the short story is the rhythm of its phrasing that reminds us of the power of music. Like the movement of verse and chorus in a ballad, the rhythm of this genre flows measure by measure.

2. Connection

History tells us that mankind has long told stories around the communal campfire because stories connect us to ourselves and to the world around us. I think it can be argued that the compressed experience of the short story makes this connection as immediate as it comes.

And the Number One Reason is: Length

At long last, so to speak, we come to length. Nearly every other element has touched on the influence of length in this genre and therefore we come to the number one reason why we love the short story: its length. We live in a day and age when time is in demand and attention is not. If the near future resembles the recent past, the short story may well be the enormous little genre of the future. I hope so.

 

Next Week: Authors and Collections I Love


These days Stacy Barton is primarily a short story author and playwright.  Her debut collection of short stories, Surviving Nashville, was released in 2007.  Her stories and poetry have appeared in a variety of literary magazines including Potomac Review, Relief, Ruminate and Stonework and her fifth stage play, an adaptation of Dylan Thomas’ A Child’s Christmas in Wales, premiered in Orlando, Florida in 2006.  In addition to short stories, plays, and poetry, Stacy is the author of a children's picture book and an animated short film.  She is currently a free-lance scriptwriter for the Disney Company.  Visit her at www.stacybarton.com

 
Relief Recommends Saying Thank You PDF Print E-mail
Written by Kimberly Culbertson   
Wednesday, 08 October 2008

ImageEditor-In-Chief Kimberly Culbertson declares today the first official "Coach Rocks Day."

Yesterday we posted an update about the recent battle for Relief's web presence. I want to take this blog, though, to point out just how lucky we are to have Coach as a technical editor and System Administrator. Without him, the cost of restoring the site would have been somewhere between 5 – 10 thousand dollars, which in other words, means that we would have been starting from scratch with severe data loss on our submission system and blog. Instead, Coach has spent nearly every waking, non-working hour of the past two weeks staring at database code and painstakingly reconstructing our site one piece at a time.  Suffice it to say that, without his help and free labor, we would still be in quite a hole.

In fact, without Coach, Relief would not have the web presence, the ecommerce capabilities, or the submission and evaluation system (which allows our editors to communicate from many locations) in the first place.

So if you have a chance today, take a few minutes to say Thanks.

 
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