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Blog

Care for a Sprout?

Deanna Hershiser

A while ago I read a post by David Pierce featuring the latest writerly technologies. Pierce implied we can't go back now to pen and paper, not when smartphone applications and so on exist. What kind of dufuses stick with old school? This year began for me with a fresh Moleskine and gel pen. I'm halfway through the little notebook now, jotting random ideas when they surge onto my brain's shore. I did this when my kids were little, capturing gems that I can always find preserved in my file drawer when I want them. Things like my daughter, at four, telling me we should really say "last day" and "last night," or else go with "yesterday" and "yesternight." Shakespeare would have been proud, I thought.

I'm sure the savvy Pierce would point out we now have mommy blogs for that. You can record your child's wisdom plus pictures and music -- all kinds of media, in fact, to make the best memories of moments.

This is true. I follow several amazing blogs by creative young women, most with kids. But the one or two or three I like best contain an interesting element that goes against the exhortation to leave old ways behind. They're by women who make use of technology while learning to sprout quinoa and ferment kombucha and cook and preserve and create and savor life by methods older school than I had imagined.

Then there's my son and survival info. He has found some good sites, like Survival Blog. Great for if you ever want to live off the grid. Or if we someday have to.

This is what gets me: middle of the night, waking to those lurking what-ifs, I drift into wondering. We never know where the country and economy are heading. We live on a planet brightening its orbit with electricity, but after a hundred years plus, we're tethered to that power source, albeit wirelessly. In the blink of a sunspot, everything could switch off, and we would really have to learn a few 19th-century survival methods. (Which reminds me, I need to jot down addresses of my blogging-mama friends whose homes are closest to mine. I'm glad they're learning what my grandma knew.)

Never happen, you say. And on spring afternoons, sunshiny with exercise after I get myself off the computer, I'm with you. I haven't sprouted any quinoa yet. But I'm still writing in spare moments on paper with pen and resting easier about retaining my little words and insights.

Deanna Hershiser enjoys tweaking technology and pondering theology at her blog. Her latest memory-musing about simpler stuff is forthcoming at The Shine Journal.

Photo Haiku Wednesday 4.28.10

Michelle Pendergrass

Photo courtesy of Jaymi Spencer Photography. Directions:

1. Write a haiku inspired by the photo and post it in the comments.

For extra chances to win:

2. Follow @reliefjournal on Twitter

3. Follow @Quo Vadis on Twitter

4. Twitter @reliefjournal with your haiku and #PHW (Photo Haiku Wednesday)

* * *

The good people over at Quo Vadis have generously donated some prizes!!

The weekly winner will receive a Quo Vadis Habana Journal and a bottle of J. Herbin ink!!

Every week Relief will choose a random winner! So play along and tell your friends. See the information below for extra chances to win.

* * *

Winner will be announced via Twitter Thursday afternoons.

We can only ship to U.S. addresses right now.

You may only win once every three months, but you may play along every week for Twitter Super Bonus Points.

* * *

Would you like to have your photo featured on Photo Haiku Wednesday?

Email your photos to Michelle: photohaiku@reliefjournal.com

You'll get a photo credit link here on the main blog and you'll also be entered in the drawing for the Quo Vadis Habana journal and bottle of J. Herbin ink the week your photo appears on the blog!

Relief News Tuesday 4.27.2010

Ian David Philpot

Calvin Panel Video

As of right now, the video for the Relief/Midnight Diner panel at the Festival of Faith and Writing is still in the process of being split in the appropriate places, changed to a format that is compatible with YouTube/Vimeo, and we should have the first half posted on the blog this Saturday.  We apologize for it taking so long, but the video files are so big that they've been crashing Microsoft's Movie Maker every time it's loaded.  So look for it on here, on Facebook, YouTube, etc. on Saturday.

The Stickman Video

While at the Festival of Faith and Writing, the ccPublishing crew had a lot of fun.  A little too much fun, some might say.  A summation of one of those "too much fun" instances can be found HERE at Heather Goodman's blog.  Her post also contains a link to the "Stickman" video on Facebook.  You can expect that one to make it to YouTube on Saturday as well.

We also recommend  you read Heather's humorous "What I Learned at Calvin."  Some of it is inside jokes, but it is all useful information.

The Case Against Writing Manuals

Speaking of humorous reading recommendations, you should definitely go read "How to Write in 700 Easy Lessons" by Richard Bausch.  It's a great essay that recommends reading good literature over reading "How-to-write" manuals.

What Can I Do With Writing?

Stephen Swanson

Stephen and HenryStephen Swanson grows tired of the continual questioning of the power of communication, especially from students.  "Why would I need to write essays," has become a standard of expressing frustration, and even veteran writers feel that way sometimes.  So, he offers this micro-blog...

Why Writing Matters (Vol. 1):

It Pushes Me to Care

("Vol. 1" in no way implies that additional volumes will certainly come in the future, although they might.)

This week, I read this (http://blog.sojo.net/2010/04/21/arizonas-immigration-bill-is-a-social-and-racial-sin/), and it renewed my faith that writing can accomplish the task of informing and motivating in ways that stem from fundamental desires to congregate rather than divide.

Palabras, Parabolas, and the Perception of Flaws

Michael Dean Clark

This is the fourth and final installment in a series on “being” a writer. You can find the first three here, here, and here.

I suck at math. Just thought I’d start with that. I was alright until people started adding letters to numbers and then the unknowns won. Kicked my butt is more like it. My geometry teacher rounded up my 69.45 percent to a 70 so she wouldn’t have to oversee my repeating the class. Lucky her, she got me two years later in my second trip through Algebra II (a trip that ended in a gift B-). Tutors didn’t help. Calculators were useless.

The one thing that made sense to me was parabolas. I loved drawing parabolas. Still do. There’s just something spiritual about an infinite curve that meets at the base of its own horseshoe and while simultaneously angling up and away from itself forever. It was, for some reason, a more attainable idea than any Pythagoras ever came up with.

I’ve often wondered why I have this love affair with a diagram, as I’m sure you’re wondering why I feel the need to share my sickness with you. And yes, I do remember this is a column about writing. So let me attempt to make a little sense. When I was in college, I saw a 3-D rendering of a parabola in space. It was a simple computer image, basically turned to provide the depth lacking in the 2-D versions of my high school textbooks. I wanted to hug it. Now, I know why. That’s how stories should be.

In grad school we talk a lot about our “aesthetic.” When I talk to normal people, I call it “what matters to me when I tell a story.” Now I’ll tell both groups this – good stories operate in that three dimensional parabolic space.

First, I want my stories to operate along a vertical plane in which my characters do what I do – wrestle with a God who can be difficult to pin down or even feel at times. This does not mean all of my characters are Christian or even spiritual.But they are all confronted with divinity and respond in the variety of ways people do everyday. Without that vertical component, I see no point in telling stories.

But, just as the lines of a parabola move away from each other, so do many of the horizontal relationships of my characters. Life is hard. Love is harder. And people fall away from each other. Inherent in all of this are pain and hope and trauma and grace. But what I’m most concerned with is the continued presence of that point of connection, the joining of lives that would otherwise continue on, one moving gradually east while the other goes west. And that bond only really happens in the scope of a vertical and horizontal space.

And then there’s the third dimension – what I’ll call depth. For the first few years I flirted with the parabola, she was just a flat, u-shaped thing. But that slight shift of the picture opened up a possibility of growth and change that I want my characters to possess. Our culture trains us to judge people visually and immediately. We size up and reject or accept as soon as we can take in their hair, features, and clothes. Sometimes we make that choice sooner. But sometimes, if we wait, we experience something else about that person. And the experience opens us up to the possibility that our perceptions are flawed; that we are flawed. As a writer, I am possessed by the desire to communicate that our flaws are neither permanent, nor outside the healing influence of change.

So being a writer is about the depth of our flaws, the space between ourselves and the people around us, and the heights to which we are willing to climb or depths we will fall to find what is outside of ourselves. In other words, I’m still drawing parabolas, just without the numbers that might mistakenly make people think my fiction assumes certainty in and of itself.

***

Michael Dean Clark is an author of fiction and nonfiction and now an Assistant Professor of Writing at Point Loma Nazarene University. He is also mere inches from earning a Ph.D. in Creative Writing at the University of Milwaukee-Wisconsin. His work is set primarily in his hometown of San Diego and has been known to include pimps in diapers, heroin-addicted pastors who suffer from OCD, and possibly the chupacabra.

Photo Haiku Wednesday 4.21.10

Michelle Pendergrass

Photo courtesy of Elaina Avalos. Directions:

1. Write a haiku inspired by the photo and post it in the comments.

For extra chances to win:

2. Follow @reliefjournal on Twitter

3. Follow @Quo Vadis on Twitter

4. Twitter @reliefjournal with your haiku and #PHW (Photo Haiku Wednesday)

* * *

The good people over at Quo Vadis have generously donated some prizes!!

The weekly winner will receive a Quo Vadis Habana Journal and a bottle of J. Herbin ink!!

Every week Relief will choose a random winner! So play along and tell your friends. See the information below for extra chances to win.

* * *

Winner will be announced via Twitter Thursday afternoons.

We can only ship to U.S. addresses right now.

You may only win once every three months, but you may play along every week for Twitter Super Bonus Points.

* * *

Would you like to have your photo featured on Photo Haiku Wednesday?

Email your photos to Michelle: photohaiku@reliefjournal.com

You'll get a photo credit link here on the main blog and you'll also be entered in the drawing for the Quo Vadis Habana journal and bottle of J. Herbin ink the week your photo appears on the blog!

Photo Haiku 4.17.2010: Special Saturday Edition!

Ian David Philpot

The following picture was created in a game that we played last night. (There is a video that explains where this came from on Facebook.) Write your haiku as a comment and come back often to see all of the other haikus that are written by other authors. (If you're on Twitter, please tweet your haiku with the hashtag #PHS. If you don't have Twitter, we will be tweeting some of the haikus that we love.)

Courtesy of Kimberly Culbertson

Photo Haiku Wednesday 4.14.10

Michelle Pendergrass

Photo courtesy of Sheena Tatum.

Directions:

1. Write a haiku inspired by the photo and post it in the comments.

For extra chances to win:

2. Follow @reliefjournal on Twitter

3. Follow @Quo Vadis on Twitter

4. Twitter @reliefjournal with your haiku and #PHW (Photo Haiku Wednesday)

* * *

The good people over at Quo Vadis have generously donated some prizes!!

The weekly winner will receive a Quo Vadis Habana Journal and a bottle of J. Herbin ink!!

Every week Relief will choose a random winner! So play along and tell your friends. See the information below for extra chances to win.

* * *

Winner will be announced via Twitter Thursday afternoons.

We can only ship to U.S. addresses right now.

You may only win once every three months, but you may play along every week for Twitter Super Bonus Points.

* * *

Would you like to have your photo featured on Photo Haiku Wednesday?

Email your photos to Michelle: photohaiku@reliefjournal.com

You'll get a photo credit link here on the main blog and you'll also be entered in the drawing for the Quo Vadis Habana journal and bottle of J. Herbin ink the week your photo appears on the blog!

Relief News Tuesday 4.13.2010

Ian David Philpot

The Fury before the Festival

Last weeks news was all about us preparing for Calvin, and that's what we're still doing 48 hours before the 2010's Festival of Faith and Writing begins!  No worries though.  God has been taking care of us.

For those of you who will be at the festival, we can't wait to see you!  Beyond that, we can't wait to show you what we've got in store!

Teaser Alert: Michelle Pendergrass went overboard on the movie theme for our booth. It. Will. Be. Awesome!

For those of you who can't make it, you won't be missing out!  We'll have pictures going up on the blog and on Facebook Thursday-Saturday, along with some video recaps every night that will feature the staff and any Relief/Diner published authors that stop by.  Since we will be connected to both the website, Facebook, and Twitter all day, don't hesitate to ask any burning questions that you might have for us.  We really want you all to share in the festival fun.

4.1 Cover

Though Relief has always been blessed with great content from great writers, we have also been blessed with connections to great artists who create fantastic covers for our content to be bound within.

This issue is no exception.

Our anticipated cover art will officially show up on the blog in the next couple weeks, but we are sure that you will be able to see it in many of the pictures that will be taken at Calvin, so keep your eyes open for it!

Reality TV Wasteland?: I Beg to Differ

Stephen Swanson

Stephen Swanson looks to reality TV to establish his new philosophies and contents of education.  He is very glad that Lent is over, as snark abounds in this columnStephen and Henry.

Recently, as I tried to convince the IT department why I needed "Hulu" and a couple other television-streaming websites unblocked, I was surprised to learn that not everyone innately sees the educational importance of contemporary reality television.

Who has not learned something from reality television?  I could found a whole school curriculum drawing from reality TV.

A Catalog- a brief selection

Survival 101: encourages students to challenge themselves through personal and physical challenges of deprivation and competition, while including discussions of ethics.  Section topics will also include Biting Fauna, Things You Might Be Surprised You'll Eat For Money, Things You'd Be Surprised That You'd Do For Something to Eat, and a brief discussion of history/anthropology.

Fitness and Weight Loss 220: strives to show students ways to adapt cultural standards of health and beauty on individual levels, rather than addressing the deeper, institutional, economic and cultural aspects of society that result in the definitions or extent of the problems. Methods will include strict dieting, large quantities of exercise and shame, as well as peer pressure.  Plastic surgery might be covered, time and need permitting, especially for female students.  The course will not emphasize long-term health or effects that are not visible or measurable, preferably on big screens and numbers in front of others.

New for Fall: ALL students must have liability waivers signed and notarized before any activities or surgeries begin.

Apprenticing in Business, Finance, and Other Competitive Industries 480: Students will examine ways to work as groups as part of a corporate environment, including introductions to basic business, marketing, and publicity concepts and exercises.  Additionally, students will be expected to become versed in the privileges and ethical laxity that their desired career owe them as a mark of their success.  A short thematic unit will cover staging "performances" that display corporate goodwill through a short period of working in a lower class job or the destruction and rebuilding of a needy person's house, regardless of the effects on their costs and abilities to retain the house in the future.

*Note: The quality of this class depends highly on the quality of participants.  So, come ready to learn.

Spring & Summer Interims in New Jersey, New York, Miami, Chicago, Cancun, as well as many road trips and tours will be offered to all students.  These courses emphasize interdisciplinary learning that test and encourage the development of problem solving, setting and keeping goals, travel planning, time management, and relational communication.

*Note: Additional, specialized interims will be offered on specific subjects as follows: "The Effects of Steroids", "Alcohol & Other Mood Altering Substances",  and "Inter-gender Non-verbal Communication" (Same-Gender N-V Comm. is offered when interest dictates).

*Additional Note: "Sitting in Cafes/Clubs, Awkward Silences, Staring, & Flesh-colored Beards"  will not be offered after this year, and all students must attend the "Social Diseases" workshops before and after their trips.

***

Stephen Swanson teaches as an assistant professor of English at McLennan Community College. Aside from guiding students through the pitfalls of college writing and literature, he spends most of his time trying to remain  aware of popular culture, cooking, and enjoying time with his wife and son. He holds degrees in Communications (Calvin College), Film Studies (Central Michigan University), and Media and American Culture Studies (Bowling Green State University. In addition to editing a collection, Battleground States: Scholarship in Contemporary America, he has forthcoming projects on Johnny Cash and depiction of ethics in detective narratives.

Photo Haiku Wednesday 4.7.10

Michelle Pendergrass

Photo courtesy of Jaymi Spencer Photography.

Directions:

1. Write a haiku inspired by the photo and post it in the comments.

For extra chances to win:

2. Follow @reliefjournal on Twitter

3. Follow @Quo Vadis on Twitter

4. Twitter @reliefjournal with your haiku and #PHW (Photo Haiku Wednesday)

* * *

The good people over at Quo Vadis have generously donated some prizes!!

The weekly winner will receive a Quo Vadis Habana Journal and a bottle of J. Herbin ink!!

Every week Relief will choose a random winner! So play along and tell your friends. See the information below for extra chances to win.

* * *

Winner will be announced via Twitter Thursday afternoons.

We can only ship to U.S. addresses right now.

You may only win once every three months, but you may play along every week for Twitter Super Bonus Points.

* * *

Would you like to have your photo featured on Photo Haiku Wednesday?

Email your photos to Michelle: photohaiku@reliefjournal.com

You'll get a photo credit link here on the main blog and you'll also be entered in the drawing for the Quo Vadis Habana journal and bottle of J. Herbin ink the week your photo appears on the blog!

Relief News Tuesday 4.6.2010

Ian David Philpot

Calvin -- A week and a half away

Our hotel rooms are booked, rides coordinated, and we're e-mail wrestling to settle who gets to see what panel at what time. The entire ccPublishing/Relief staff is anxious to get into Grand Rapids, MI next Wednesday to set up for Calvin College's Festival of Faith and Writing. So it's probably about time we introduce our theme...

Calvin - At the movies!

So, it's probably not a surprise since you've seen our adjusted logo for a week new, but it's about to get a lot more interesting!

At Calvin, we will be introducing the cover of issue 4.1 as "Coming Soon" posters.  We will also have business cards that look like movie tickets that will double as raffle tickets.  We will be raffling two gift baskets a day that will have a copy of the journal, a 2 liter of soda, a bag of popcorn, a box of candy, and a couple of notebooks from our amazing sponsor (Quo Vadis).

Calvin - On the blog

For those of you who cannot make it to Calvin this year, you don't have to miss out on the experience.  Next Wednesday--Saturday, we will be uploading pictures and videos of what's going on at the conference.  This will include pictures of the new cover, staff, and published authors who stop by our booth.  (We are even looking into streaming the Relief/Diner panel. No promises yet.)

Calvin - A social media frenzy

For the conference, we will be tweeting from @ReliefJournal as much as possible, but don't forget to catch tweets from ccPublshing President and Diner Editor Michelle Pendergrass (@michpendergrass), Relief Editor-in-Chief and Fiction Editor Christopher Fisher (@ReliefEditor), Poetry Editor Brad Fruhauff (@BradFruhauff), founding President and Editor Kimberly Culbertson (@KimCulbertson), and Web Editor Ian Philpot (@iphilpot).

We will also be using mobile uploads to send exclusive pictures directly to our Facebook page.

So friend us, follow us, and don't miss out!

When We All Become Zombies, What a Day of Rejoicing That Will Be...

Christopher Fisher

I imagine (and hope) most of you spent your Easter Sunday relaxing after church with bellies full of ham and mashed potatoes, followed by sporadic nibbles of chocolate, of course. I, however, had to work. In preparation for a much anticipated move to Virginia this summer, we're planning to list our house sometime this week in the floundering real estate market. So we're up to our eyebrows in last minute projects, cleaning, spot painting, etc. I didn't  have time to get online yesterday, so I'm just now getting caught up with all the online Easter well-wishes. But there's a lot of something else I missed out on yesterday--though I can't say I minded missing it--something I guess would be the opposite of Easter greetings.

Now, I understand that not everyone shares my belief, and I don't expect them to. I can see how the idea of a bodily resurrection from death can sound ridiculous. In all honesty, there are times I question it myself, as any rational human being would. I also am aware that we live in a time and culture where animus toward religion--particularly the "establishment" religion of Christianity--is very much in vogue. But I don't know whether to laugh or rant at the new buzz word many of my non-Christian friends and colleagues are applying to all things Easter.

An old, old story, how a zombie came from glory...

If I have before heard the word zombie used to describe the risen Christ, I don't recall it. But today the word seems to be everywhere. One versed in Christian tradition might at first think that anyone who draws such a comparison must have a less than rudimentary understanding of our faith. But to compare Christ's resurrection to Night of the Living Dead is more than an innocent misunderstanding of Christian doctrine.  It is an accusation. It is a pointing finger that says, "see the fool and all his silly, foolish ways!" (Incidentally, this is also a typical Reducto ad ridiculum/straw man fallacy: a mind-numbed, brain-eating zombie makes an easy target to tear down, but anyone who is half-way familiar with both zombies and the account of the risen Christ must admit that--even taking both characters as fiction--they are not the same. Not even close. It's like comparing Prometheus to Spongebob. Apples to maggots.)

I don't worship a zombie. I don't know anyone who does. Unless you count the throngs of George Romero fans, which collectively do form something of a cult, though it's not really the same thing. But even these, should they ever decide to cross over from fanaticism to full-blown zombie worship, would probably be given a modicum of tolerance (though probably not respect). Which makes me  wonder, when it comes to Christ's resurrection, why the spite and condescension? Why the willful malice?

Perhaps there's something more...

Consider this. If tomorrow we thawed and revived Walt Disney, cured his every sickness and human frailty, and set him back to sketching delightful little cartoon characters, then not only would this be accepted by the secular world; it would be hailed as the apex of scientific achievement, the climax of the human story. April 6 would ever after be remembered as the day our race conquered our own mortality.

If we say, however, that this has already been done by a person/spirit/force of infinitely greater intelligence and power than our own, then we can expect nothing less than ridicule and contempt. The truth is that it's not the notion of resurrection that many find incredible, even offensive. It's the source of that regeneration. To accept the resurrection of Christ, through the power of God, is to accept our own smallness and reliance on Another for our every breath of life. And it is to acknowledge that to this power we are all accountable.

This, I believe, is the true stone of stumbling for skeptics of resurrection. Not the possibility that the dead may have risen or may one day rise, but the distasteful notion that we are inadequate, incapable of saving ourselves, and not truly our own.

The Real Meaning of Easter

Stephen Swanson

Stephen Swanson brings you some pictures from his recent trip to Easter Central, Target.

Is there anything stronger than "WTF?" as an interrogative?

We've all known that Easter is not really a Christian holiday and, in some ways, never was.  However, I'm unsure of the Christian or Pagan importance of the Transformer, Spider-Man, and Spongebob "eggs" or the Batman play-set.

Good Friday.

Michelle Metcalf

In Cincinnati, it is supposed to be 85 degrees today. Record breaking temperatures for the first weekend in April in the Tri-state. The sun in my porch where I sit is warm. My dog has had no trouble finding a patch of sun to bathe in. Already, we have been to Starbucks and the dog park. The sun has made us want to get out of bed earlier to live a longer day, be outside in the open air. Already, before 9am I am in a pair of beat up shorts and a white tank top, flip flops and shades. Today is (a) Good Friday.

This morning, already, has been a good morning. It has been a morning of not wanting. A morning of not longing for sun, which, of late, has become my usual Cincinnati practice. Today has not been a morning of wearing my brown down coat to take the dog outside for her stroll. It has not been a morning of grey sky and wind and hair in my face. Today has been a morning of light, of leaves on the trees, of clover flowers pushing through a small corner lawn that suddenly needs to be mowed. It has been a morning of less aches and pains than those I went to bed with last night, a morning of a glass of cold water from the Brita pitcher in the fridge. It has been a morning of small, good things.

Looking around my new house, boxes everywhere, walls un-painted, the kitchen a mess, I am unshaken. And I don’t mind that my hooded sweatshirt is at my feet on the floor in our living room. I don’t mind that the kind size green quilt that I napped with last night is heaped in a ball on the floor just where I threw it off without putting it neatly away before bed. And the pillows on the couch are a mess. And the mail is stacked on the entry table. And my bags are still unpacked from Costa Rica. And the laundry: wet towels, smelly hiking shoes—none of it is done. But there is no hurry. How long since I have been present to my own life?

This morning, the pilgrims of our city will gather outside in the hot sun to take part in the Cincinnati tradition of praying the 84 steps at Holy Cross Immaculata church in Mt. Adams. They will pray the rosary together and walk one step at a time up the hill to mark their reverence of this Holy Day. I will mark this day too, in small steps, living my prayers instead.

*        *        *

Michelle Metcalf resides in Cincinnati, OH with her husband, Benn and her dog, Elsie. She is currently working on a collection of humorous essays about growing up in Midwestern Suburbia.

Liar, Liar, or Inspired?

Michael Dean Clark

This is the third of four entries on “being” a writer. The first can be found here and the second here.

True story: when I applied to graduate school, I was asked why I wanted to pursue a Ph.D. I said it was because I wanted to be a better liar. I got in and four years later I am about to be awarded that degree.

I am, I think understandably, conflicted about this. In essence, people will now refer to me as “Dr. Clark” (a term I think will still indicate respect because I will never be an HMO-funded health care provider) and a university has entrusted me with students to influence because I achieved a dubious goal. I improved my ability to deceive.

Sure, sure, you can parse words and say “it’s not lying, it’s fiction.” But the best fiction carries that one key caveat: people want to believe it. Or, as Malcolm Muggeridge put it, “People do not believe in lies because they have to, but because they want to.”

A note before I continue – I love the lies of fiction, when they point toward a truth worth exploring. Lies expose truth, much as “the shadow proves the sunshine.” But, within me is an existential dilemma. How does one lie ethically without crossing over into James Frey territory or worse, begin to enjoy the lies more than the truth they point to?

Some might call this classical conditioning. Lies are a slippery slope that lead from Thomas Jefferson’s “He who permits himself to tell a lie once, finds it much easier to do it a second and third time, till at length it becomes habitual” to Austin O’Malley’s “Those who think it is permissible to tell white lies soon grow color-blind” to (with apologies to Stephen Swanson) Adolph Hitler’s “Make the lie big, make it simple, keep saying it, and eventually they will believe it.”

Lies, as we’ve all experienced personally, are a cage full of horny rabbits.

How then can one be “possessed by the truth” and a writer of good fiction? Again, I return to the views of people more intelligent than me. Some, like A.A. Milne, point with humor to the work that goes into lies with purpose when he wrote “If one is to be called a liar, one may as well make an effort to deserve the name.” Emerson went the sublime route, saying “Truth is beautiful, without doubt; but so are lies.” Some, like Clare Boothe Luce, take the pragmatic view: “Lying increases the creative faculties, expands the ego and lessens the frictions of social contacts.” Plato used reverse psychology (before reverse or psychology were in vogue) “They deem him their worst enemy who tells them the truth.”

Here’s my thought – fictional lies have limitations in spiritual truth. When they tie into the “greater than me,” they cease to be lies and become reflections of the walls of our caves. The argument could be made that this is transubstantiation of a sort. Inventions become actualities. This, of course, demands that one believe there is truth external of one’s own experience, a concept some consider as dated as high-waisted jeans on men. But I tend to agree with Karl Barth’s idea that “Man can certainly keep on lying…but he cannot make truth falsehood. He can certainly rebel…but he can accomplish nothing which abolishes the choice of God.” And when the presence of discoverable truth combines with the desire to find it, the lies of fiction make sense.

Michael Dean Clark is an author of fiction and nonfiction and is in the final stages of earning a Ph.D. in Creative Writing at the University of Milwaukee-Wisconsin. His work is set primarily in his hometown of San Diego and has been known to include pimps in diapers, heroin-addicted pastors who suffer from OCD, and possibly the chupacabra.

Photo Haiku Wednesday 3.31.10

Michelle Pendergrass

Photo courtesy of Jaymi Spencer Photography. Directions:

1. Write a haiku inspired by the photo and post it in the comments.

For extra chances to win:

2. Follow @reliefjournal on Twitter

3. Follow @Quo Vadis on Twitter

4. Twitter @reliefjournal with your haiku and #PHW (Photo Haiku Wednesday)

* * *

The good people over at Quo Vadis have generously donated some prizes!!

The weekly winner will receive a Quo Vadis Habana Journal and a bottle of J. Herbin ink!!

Every week Relief will choose a random winner! So play along and tell your friends. See the information below for extra chances to win.

* * *

Winner will be announced via Twitter Thursday afternoons.

We can only ship to U.S. addresses right now.

You may only win once every three months, but you may play along every week for Twitter Super Bonus Points.

* * *

Would you like to have your photo featured on Photo Haiku Wednesday?

Email your photos to Michelle: photohaiku@reliefjournal.com

You'll get a photo credit link here on the main blog and you'll also be entered in the drawing for the Quo Vadis Habana journal and bottle of J. Herbin ink the week your photo appears on the blog!

Relief News Tuesday 3.30.2010

Ian David Philpot

Coming Soon...To Calvin!

As you heard from Michelle on Monday, we're all really excited about Calvin's Festival of Faith and Writing. We're going to have a special theme to our booth.  To give you a hint: the theme is directly related to the logo at the top of this page. :) We can't tell you every aspect about our booth quite yet because we don't want to spoil the fun, but it's going to be awesome! Register now and don't miss us!

Coming Soon...To Your Doorstep!

We have finally received a new shipment of issue 3.2! All of you who ordered issues will be receiving them soon and all new orders will be shipped after that. Click here to order one.

Issue 4.1 will also be available for order very soon! We will be opening pre-orders at a discounted price around the same time that we unveil the cover art. We are very excited about this issues as it will be the first under the new Editor-in-Chief, Christopher Fisher.